The horrors of copyright from Dracula to Nosferatu
Abraham “Bram” Stoker (1847–1912) was an Irish author, best known for writing the 1897 Gothic horror novel Dracula. Stoker drew extensively from Transylvanian folklore and history for the novel, and he gave the title character the name Dracula because he thought it meant “devil” in Romanian.
The novel was published in the United Kingdom in 1897 by Archibald Constable and Company, and in the United States in 1899 by Doubleday & McClure. To secure copyright, US law at the time required the author to deposit two copies of a book with the Copyright Office in the Library of Congress. However, in 1930, when Universal Studios purchased the movie rights, it was discovered that Stoker and Doubleday had deposited only one copy, which effectively meant that the book was in the public domain in the US. The novel and its title character have become mainstays of popular culture, and Stoker’s great grand-nephew Dacre Stoker has suggested that Stoker’s failure to comply with US copyright law contributed to the novel’s enduring status, since US writers and producers did not need to pay a licence fee to use the character. That may have been so in the US, but the opposite was the case in Europe.…